Caroline AreskogJones' practice is grounded in the contingency of drawing, a speculative enquiry to pursue an interest in articulating something unsaid and unearthing something unknown, just out of reach. It is considered a form of 'visual listening'.
​
Evolving through considered and meticulous research, considering archeological processes of " field work" and museological methodologies, a series of responses slowly accumulate working through the transformative potential of materials ::: a shift back and forth, sifting, folding, unfolding, enfolding, emerging and pausing.
The outcomes are an attempt to offer a 'perforated space' of fragile ambiguity, referencing the uncertainty of ecology, deep rooted and hovering at the intersection of human states of being across the arc of time. ​
​
The dialogue between what emerges as a series of works - on paper, from print or projection, 3D forms, natural materials or ceramics - widens as the placement and interaction of site create further relational perspectives and wider frames of potential access.
​​
​
​
​
After gaining a BA(1st class)Hons Fine Art at Central Saint Martins College of Art and Design and MA (Print) from The Royal College of Art in 2019, opportunities to grow a practice continue, including exhibitions, residencies, artist talks, writing and interdisciplinary collaborations.
​
Caroline has a previous background in both contemporary dance and physical therapy, and this intimate knowledge of the interconnectedness between body and mind influence the decision making within her practice.
Currently based in London.
​
​