Limited edition / Unique works on paper
can be purchased via the link below :
Caroline AreskogJones' practice is grounded in the contingency of drawing, a speculative enquiry to pursue an interest in articulating something unsaid and unearthing something unknown, just out of reach. It is considered a method of archeology, a 'visual listening'.
Evolving through considered and meticulous research, through processes of " field work" a series of responses slowly gathers through the transformative potential of materials and considerations of absorbed learning ::: a shift back and forth, sifting, folding, unfolding, enfolding, emerging and pausing.
The outcomes are an attempt to offer a 'perforated space' of fragility, echoing the uncertainty of ecology, deep rooted and hovering at the intersection of human states of being across an arc of time.
The dialogue between what emerges as a series of works - on paper, from print or projection, 3D forms, natural materials or ceramics - widens as the placement and interaction of site
creates further relational perspectives and wider aspects of dialogue.
After gaining a BA (1st class) Hons Fine Art at Central Saint Martins College of Art and Design and MA (Print) from The Royal College of Art in 2019, opportunities to grow a practice continue, including exhibitions, residencies, artist talks, writing and interdisciplinary collaborations.
Caroline has a knowledge base from both contemporary dance and physical therapy, and this intimate knowledge of the interconnectedness between body and mind influences the decision making within her practice forming a fertile place of enquiry.