top of page

CAROLINE ARESKOG JONES

fieldwork

A gathering of field notes

A series of drawings

According to Kristen Sharp : "Fieldwork is a concrete and material activity"
For Doug Quinn : " Drawing is an activity... It is a way of coming to know something, and as one comes to know it , one enters into a relationship with it."
Fieldwork for Future Ecologies, Pub. Onomatopee

A period of 'fieldwork ', supported by Arts Council England, took place over an 18 month period alongside invitation from Principal Curator RIchard Sabin, Natural History Museum, London (Special Collections Mammals/ Cetacea ) .

listening device iii

3D print, unfired porcelain

image : lucid plane

seen and not heard

digital image
tympanic bulla of a female blue whale
(courtesy of Natural History Museum, London )

huddled in silence

porcelain forms
Rochester Square Ceramics Project Residency

white noise

Photolithograph on shoji
62 x 48
Cetacean

lithograph on shoji
180 x 200 cm
found elements

image : lucid plane

porcelain element, mokahunga on shoji (detail)

fluke

print, black clay, entomology pins
45 x 52 cm

'float'

lithograph in situ
APT Gallery, London

lithograph : detail

whalefall no. 1617

stone lithograph print on fabriano rossaspina
45 x 52 cm
Edition of 8

drawing onsite

Courtesy of Natural History Museum, London

material research

Special Collections, Natural History Museum, London

bottom of page